Donating food is something that he does during each of his visits, said Nguyen, who arrived in the United States in 1983 after 32 attempts to leave his native country. On two occasions, Nguyen said, he was briefly jailed. “I made a promise to myself that if I ever made it and got a full-time job, that I would give between 10 (percent) and 15 percent of my salary to the people of Vietnam,” he said. “And so that’s what I do.”. His parents and six siblings also now live in the Bay Area.
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He discovered jazz at 15 when his uncle gave him Keith Jarrett’s classic solo piano album “The Koln Concert” (ECM). Drawn in by Jarrett’s classical technique, he was seduced by the spontaneous flow of ideas sustained throughout the course of a long recital. “He was improvising all the time and doing whatever he feels,” Rodriguez says. “I thought, ‘I want to do that.'”. Like earlier Cuban pianists who have found a home in jazz, he is steeped in the European classical tradition and Cuban folklore, but he’s engaged with popular Cuban songs in a way that sets him apart from his peers. He credits his father, a popular singer, with filling his childhood with songs from the golden age of Cuban music in the 1940s and ’50s.
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